Saturday, July 25, 2015

Italy - Salvi Garden

I have been thinking about how the people that you are with can change your experience in different ways.

For example, on our last trip we went out to dinner with various cousins, and over the course of the evening we walked around downtown, to the train station, and then back. I had been to many of the places before, but I had never realized how close they were together. This is because previously I had been with people driving, and there are areas where they could not drive. As they went around the areas they couldn't drive through and searched for parking, it seemed like we were traveling further than we were.

Writing things up now, which includes searches for local web sites, I am finding that a lot of the places we went had prominent attractions and options that I had no idea were there. Sometimes they may not have been interested, or not thought that entry was worth the price of admission, but I was relying on their knowledge.

I don't want that to sound ungrateful. They took me to a lot of cool places that I never would have made it to on my own. I was really lucky that they had the time to take me around. While I was willing (and wanting) to pay, they would not let me. I was really lucky to have them. It just also means that my experience is bound up in them in ways that I had not realized.

For example, Parco Querini was much bigger than I realized. They stopped at one location, and you couldn't really tell from there, but they didn't have an interest in going around more and I didn't want to press the issue. They had only even gone there because I had asked about it. It was pretty similar with Giardino Salvi. We entered at one spot, and I had no idea that there was more.

Looking back, it makes perfect sense that we entered where we did. There is a bridge designed by Palladio, and it is probably the most famous part of the garden, and they took me right to that. I didn't necessarily expect it to be huge. My prior knowledge of it was that my mother would walk through the gardens on her way to and from school, so I was thinking of it more as a place of family sentiment than anything else.

However, one thing Mom had mentioned is that boys would go through and point at the nude statues and make rude gestures while singing a corrupted version of "La Donna E Mobile", and I didn't see any statues. Once again, this is a much bigger area than I saw.

There are some pretty good pictures on Trip Advisor: http://www.tripadvisor.com/Attraction_Review-g187872-d242672-Reviews-Giardino_Salvi-Vicenza_Province_of_Vicenza_Veneto.html

There is also one review in English, who wasn't that impressed. (The statues are placed haphazardly? Well maybe they were just trying to not be overly formal so you don't get so lost in the overall form that you can't appreciate the individual statues.) The Italian and Portuguese reviews seem more favorable. I have no idea on the Russian ones.

I'm not saying that my guides were wrong. My brother and his wife hired a tour guide before meeting up with us, and she took them to all the places you would expect, and she omitted Parco Querini and Giardino Salvi too. I would still like a chance to explore them at leisure.

Mainly I think it's a reminder that with any sightseeing there are judgment calls being made, and they are probably perfectly reasonable calls, but they are not inevitable. My sisters and I try and remember to appreciate home too, as much as the places we travel too, but there is always more that can be seen, and different ways of seeing it. That can possibly be frustrating sometimes, but is also pretty cool.



Saturday, July 18, 2015

Italy - Parco Querini

Parco Querini was a place that kept changing my mind.

At first I saw a picture of it, focusing on the temple. Built in a classical style, I thought this was something historical and really wanted to go, specifically requesting it. They were surprised I was interested, but took me.

Once there, it became clear that it wasn't particularly historical. This was something new. Then I felt kind of let down.

However, then you are free to notice that the place is charming. There is a walking path and bridge, and it is green. It is a local park, not a tourist attraction. There is nothing wrong with that.

Here is a nice piece on it: http://www.rossiwrites.com/2015/01/exploring-vicenza-parco-querini.html

Saturday, July 11, 2015

Italy - Monte Berico


http://www.monteberico.it/

I was a pretty literal-minded child, and there is reason to believe that my parents did not understand how much that was true. Sometimes the answers they gave me were puzzling, but I accepted them instead of asking follow-up questions, and so I would not understand various things until much later.

One of these stories is about a plate.


We had a few plates from Italy, representing my mother's homeland. There were plates showing scenes from Pisa, Venice, and Rome, but this one was actually from my mother's hometown, Vicenza. I was curious about the lady up in the air.

I probably didn't ask the question right. When I was asking, "What is that?", I didn't specify that I was asking about the levitating woman with the flock of children around her. She told me that was Vicenza (she may have even told me that it was Monte Berico), and if I went there I would see it. I was curious to go and see how she stayed up there. That's not how it works.

The Basilica di Santa Maria di Monte Berico is a shrine to Mary, on top of a hill overlooking Vicenza, built as a response to two apparitions by Mary to a peasant worker, Vincenzo Pasini, in 1426 and 1428. She promised that if they would build her the church she would heal them of the plague. The church was built in three months (I assume after the second vision) and became a sanctuary.

There is a part of me that is skeptical about this, especially because his name, Vincenzo Pasini, sounds a lot like the town name - Vicenza - combined with the word for peasant - paesano, plural paesani. However, there was an inquiry in 1430 and the proceedings have been preserved.

That being said, I remember driving around in Italy, and wherever you looked there were steeples and domes and a lot of these structures have similar stories. It had occurred to me that you could navigate Italy just by looking around, spotting something that seems interesting, and heading to it. Then I realized that would be a terrible idea, because there would be too much and you would grow tired while still missing a lot.

You have to pick and choose. Some places are widely known for their appeal, so lots of people go. Some places get seen because they are near where you are. Este probably gets seen more for by virtue of its proximity to Padova.

I don't know that Vicenza is much of a tourist attraction, though we will be going over some of what it offers in the next few posts. It may be very similar to a lot of other towns that are not at all famous and that I will never visit. It is still always home. That's where my cousins are, and where the stories from half of my heritage take place. It will always be more to me.

Nonetheless, if you go to Vicenza and visit Monte Berica, you will see many representations of Mary, with smaller figures flocking around her. You will see her in paintings and statuary and on cards. I did see her when I went there and she looked just like the plate. There just wasn't any levitation involved.


Saturday, July 4, 2015

Italy - Venice



Venice is beautiful. Venice is exhausting. Both statements are equally true.

It is exhausting because while the city is actually fairly compact, with the canals winding throughout you will frequently going up and down bridges to cross them. Even on flat ground, the uneven surface is tiring.

There are two points to make regarding that. One is that even though I am always in favor of wearing good shoes, there are times and places where it is even more important, and Venice is one of those places. Wear supportive shoes without tiny little heels that will catch between the stones and trip you.

The other is that Venice can be especially challenging for some physical disabilities. There is some helpful information on line: http://www.tripadvisor.com/Travel-g187870-c3011/Venice:Italy:Venice.For.The.Disabled.html

The good shoes and the planning ahead are worth it, because Venice is beautiful. It can be magical. It's worth going.

I was lucky to be there with someone who loves Venice and is very familiar with it. I wish I had written down the name of the "best pastry shop in Venice"; it was wonderful!

Still, there is a lot more there. There is the Caffe Florian, the oldest cafe in the world. This is a place that has been frequented by Casanova, Goethe, Proust, Dickens, and Lord Byron.

http://www.caffeflorian.com/en/

There is the Rialto Bridge and the Bridge of Sighs. There are palaces, cathedrals, and museums. And there are lions everywhere, symbol of St. Mark who is the patron saint of the city, and for whom the square is named.

There are gondolas. (Which only tourists take, because they are generally considered overpriced and touristy, but you know, if I were not there with a native I might go for it.)

There are islands you can visit. Murano is known for its glass, Burano for its lace, and Torcello is the oldest continuously populated region of Venice.

There is beauty and history all around you. You can simply wander around, and just see what you see, and it may very well be magic. I was watching a movie, Pane e tulipani, set in Venice, and one of the biggest thrill is when the heroine rounds a corner and there is a cistern I remembered passing. The simple things can be powerful.

However, it would also be completely possible to later regret missing something. One advantage of the link on Venice for the disabled is it focuses on planning what you want to see most, and then plotting your route efficiently, so it can be a useful resource for anyone.

I saw some things, there's a lot I didn't see. It is worth repeat visits.

"Serenissima", "Queen of the Adriatic", and "undoubtedly the most beautiful city built by man."

http://www.comune.venezia.it/flex/cm/pages/ServeBLOB.php/L/EN/IDPagina/1